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I have recently returned to working with clay after a very long
absence. One of my most profound experiences was discovering that after
all my years of experimenting with other media, I have still been learning
about clay. To discover that I have been intuitively adding to that
particular vat of knowledge has been a personal revelation. I have learned
more with my eyes and my hands from creating two-dimensional work than I
could ever have hoped for.
I have always loved fiber. The first "art" class I ever took
was an independent study in weaving. It was the first and last for many
years. When I returned to academic art, it was to study clay. My training
has essentially been in that one media - my one weaving class
notwithstanding.
As a curator, I deal with many different artists who are in many
different places with their art. One of the most challenging situations
that I deal with is artists who have technically mastered their medium but
have lost or hopelessly obfuscated the essence of their work. Personally
discovering what I knew about the creative process - that it is all a
river and that all seeing/experiencing/doing flows into that river - has
also helped me grow as an observer and facilitator for other artists.
To any of us (myself included) who have looked at another media -
even
a fine craft media - and not realized the complexities involved, I
challenge you to try something different. Throw down that which is most
comfortable, pick up that which is least comfortable. The possibilities
for artistic growth are unlimited. |